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Hardwicke Benthow's avatar

"Not like the movie has much else of value of offer these days, just like the mentality that thought it up in the first place. It’s all dead and rotted, so let’s finally put it all to rest."

"The Day the Earth Stood Still" was a childhood favorite of mine, but as the years went on, I came to like the messaging less and less. I'm not sure that I would go so far as to say that the movie pushes totalitarianism or one-world government as some interpret it to (Robert Wise himself pushed back against that interpretation in his director's commentary), but it is pretty ham-fistedly pro-United Nations, and the United Nations hasn't been without its share of severe issues, to understate matters. The story also doesn't make too much sense thematically, when it was obviously made to address concerns of nuclear annihilation, but Klaatu's ultimatum isn't all that different from mutually assured destruction - well, at least without the "mutual" part, anyhow.

That said, the movie is an absolute masterclass in direction and cinematic aesthetics, and still deserves to be studied for that reason. The musical score by Bernard Herrmann is one of the greatest ever composed. The cinematography, special effects, and the design of Gort and the spaceship are all top-notch. Michael Rennie's performance is excellent. The eerie atmosphere is so thick you could cut it with a knife. Rather than the movie being forgotten, I think it needs to be studied, and the good elements of it used as inspiration for new movies with the same cinematic strengths but better stories.

I've actually read the original short story that the movie was based on ("Farewell to the Master" by Harry Bates.) It's a completely different story other than a few similarities, such as an alien named Klaatu with a robot (named Gnut in the story) landing on Earth and promptly being shot by a trigger-happy soldier (with a raygun in the story - it was set in the future) and the robot being encased in a substance meant to render him a non-threat, but which he is able to free himself from. It has nothing to do with war, world peace, or any of the other main themes of the movie.

The story was about a reporter watching in suspense and curiosity as Gnut tries to resurrect Klaatu from voice recordings (Gnut has a machine that can recreate any living creature from recordings of its voice. He experiments with birds before attempting it on Klaatu.) The twist at the very end is that the reporter says something to Gnut about his master, to which Gnut replies that he is the master (meaning that on his planet, humans like Klaatu serve robots rather than the other way around).

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